Why I March

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I hesitated to write this blog, because everyone knows authors aren’t supposed to wax too political, less they risk alienating their audience. But then I thought of something. Every single one of my books feature kick-ass goddesses fighting a Pantheon built on rape culture. Regardless of your political affiliation, if you enjoyed those stories, if they resonated with you, then you should understand #whyImarch.

I’m marching because because I have a daughter that deserves to be more than a statistic. I’m marching because I’m raising her in a country where the attitude of “boys will be boys” has gotten so out of hand that judges are more worried about ruining the lives of rapists than protecting their victims. I’m marching because somewhere along the way, admitting to sexual assault stopped being political suicide. I’m marching because women are ridiculed for every choice we make from coffee to careers to number of children. There is not a single choice we can make that is not attacked, and I’m tired of it.

I’m marching because #repealthe19th was an actual hashtag used in this election.

I’m marching because despite all of the above, I’m still coming from a fairly privileged position, and I have a responsibility to use my voice to demand fair treatment for all. I’m marching because words have power. They build our society, challenge our ideals, and create meaning.

There is something wrong with the way this culture treats women, but until people acknowledge that fact and treat it as a solvable problem instead of an acceptable inevitability, nothing will change.

I’m marching because there’s a power to solidarity. Masses of people coming together for the same cause have a tendency to get stuff done. They are estimating that over three-hundred thousand people will be attending the march in D.C alone, and there are sister marches all over the country. Maybe if we scream loud enough, we can finally shatter that ceiling.

 

Elemental Genres

wx-11-cover-palegradient4-300x300In season eleven of Writing Excuses, they dived into the definitions of elemental genres. Here’s the framework they posted. I’m included their definition because it’s better worded than mine.

Elemental genres are the things that make you read, the emotional resonance that drives a story. Not bookshelf genres, but elemental genres. The 11 elemental genres planned are wonder, idea, adventure, horror, mystery, thriller, humor, relationship, drama, issue, and ensemble. This is a framework for talking about what makes readers turn the page and have emotional responses, not a hard-and-fast set of categories or rules. Elemental genres let you mix-and-match underneath the veneer of the bookshelf categories.

It was a fantastic season. They talked a lot about what defines the different genres and how to layer them with the plot, subplot, and character arcs. I particularly enjoyed Newton’s Laws of Writing.

[1] A word count at rest tends to remain at rest, while a word count in motion tends to remain in motion. Motivation? To keep writing, write some more! To start writing, start slow, then bump your goal. Build your writing inertia by writing every day! Oh, at the end of a session, don’t stop at the end of a chapter. Write the first page of the next scene, and then pick up with that jumpstart. Dan it all! Don’t sweat the zone — fight to make the most of each chance, and make sure people understand don’t interrupt me! Think before you start writing, don’t waste time ramping up. [2] Word count equals motivation times focus. Motivate by thinking about what comes next. Focus BICHOK and clear distractions. Consider word count per hour. Try a timer (sand timers don’t beep!). Meditation might be your ticket to a clearer mind? [3] For every action, there is an equal and opposite reaction. When you write words, the words write you. You also are affected. Writing is its own reward. Every word you write builds your writing skill. The goal of writing stories is to become a better writer. The equal and opposite reaction to writing is that you become a better writer!

Go ahead and give it a listen!

Mythology Monday: Olympus

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 For the most part, Elysium was filled with the best of the souls. Those who had done great good in their lives. But it was also home to deceased deities. Olympus stood over the bright sunny fields and meadows. Most souls felt the vibrant purple mountain added beauty to the perfect landscape. I disagreed.

Olympus cut a dark shadow across perfection, serving as a reminder that there was no place untouched by evil in all of creation. I loathed Olympus. Everything changed the moment this mountain towered over my life. We had become what we’d worked so hard to defeat, perhaps not as bad as the Titans, but this mountain elevated us to gods, scowling down at all of creation.

Yet it was in my Underworld. The fall of Olympus had been the final harbinger of the death of the gods. I could have incinerated the blasted mountain the moment it came down or left it to rot in Demeter’s realm. But it meant something to them, and they’d lost enough.

Gods, nymphs, and dozens of other extinct creatures stopped what they were doing to watch me approach the palace. I didn’t come here often. Still, I didn’t hesitate when I walked through the columns. This was my realm.

“Wow, two visits in one century.” Hera moved between the sand-colored columns with an inhuman grace. There were no walls here, only columns stretching an impossible distance into the air, holding up a very tall, very flat slab of stone ceiling. It couldn’t have been more different from my palace. That wasn’t a coincidence.

“I’m almost flattered.” Hera’s curly brown hair was piled on the top of her head in an archaic Roman style. She wore a violet chiton. I hadn’t seen one of those shift-like dresses since the hydra still plagued Ancient Greece. Some people didn’t know how to move on.

“Thinks the man in the cape.” Hera let out a throaty chuckle at my surprised look. “I can always tell what you’re thinking, Hades. Such an open book.”

“You’re the only one who ever thought so.” I sat on one of the tall backless couches.

Her lips turned up in a mysterious smile. “Maybe it’s not so much an open book as a mirror. Perhaps we’re both just damaged beyond repair.” She sat beside me on the couch, fingers trailing over the narrow strip of white upholstery between us. “What can I do for you?”

“Your husband has taken my wife. Do you have any idea where?”

She tilted her head and put a hand on my shoulder. “Poor Hades, will you ever find someone who deserves you?”

I removed her hand from my shoulder with a bit more force than necessary. “It wasn’t consensual.”

“Isn’t that your working theory on what happened to me? That I was charmed.” Her gray eyes bored into mine. “You want so badly for me to be a victim. Did you ever stop and wonder if maybe I just don’t love you?”

I ignored her use of the present tense. “At the time it was easier to assume you weren’t an opportunistic bitch,” I replied calmly. “I’m not here about you. I’m trying to find her, and you haven’t answered my question.”

“Do you love her?” Jealousy flamed to life in Hera’s eyes.

“Exclusively. You still haven’t answered me. Where would Zeus keep her?”

She kept her gaze locked with mine as though she were trying to unnerve me with her proximity. “What makes you think I would know?”

I took a measured breath. What I wanted to do was threaten to throw her into Tartarus until she remembered how to answer questions. But Hera fed on anger like most people breathe air. If I snapped, she’d be in control. Hera had controlled enough of my life.

“You were many things, Hera, but oblivious was never one of them.”

Hera’s gaze went hard. “Zeus and I didn’t exactly have pillow talks. If you’ll recall, he sucked the life from me and threw me down a mountain the moment I outlived my usefulness.”

“What I recall is you bringing down the mountain with you and single handedly ending the era of Olympus.”

Hera’s eyebrows rose and her lips pursed into an “O” shape.

“What?” I asked. “You thought it escaped my notice that Olympus’ fall coincided with your demise? I was around when you created this abomination. I remembered some of your . . . unusual design flaws. You’re the one who did all the marketing, too. When the mortals saw Olympus fall, they thought it meant the gods had died. So the gods did.”

“You’ve always paid entirely too much attention to me.”

~@~

Olympus is a mountain in Macedonia Greece that was believed to be the home of the gods. According to the Iliad, it looked a lot like the Acropolis. It had large, golden gates  guarded by the three goddesses of the seasons, the Horae. It had a massive palace for Zeus, lesser palaces for the gods, and amazing stables for the immortal horses (some of whom were sometimes gods in horse shape, I can only assume). The peak of themountain functioned as Zeus’s throne, and the Muses lived in the northern foot of the mountains.

An interesting point of note: inside the palace there were a lot of automatons (animated metal statues, like robots only they predate robots so they were magic and sometimes sentient) made by Hephaestus.

The mountain may or may not have been named for a giant named Olympus who, depending on the myth, may or may not have been responsible for raising young Zeus.

In my version of the story, the actual Mount Olympus crumbled, palace and all (thus solving the conundrum in the meme presented above) and people lost faith in the gods. The Mount Olympus in Greece today is just another mountain in the range that was close enough in size and location for people generations later decide it was the one featured in mythology.

Friday the 13th

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It’s Friday the 13th! For you superstitious types, that means that bad luck is coming your way!

For those that aren’t superstitious, tonight would be great night to watch horror movies. Here’s a few of my favorites. If you can’t tell from the list, I don’t watch a lot of horror. I hate slasher films, and if it doesn’t have a decent plot, I’m gone. Plus I don’t like being scared that often. I have to be in a very specific mood for scary movies. None of the classics are on here because I have no appreciation for the genre. Sorry.

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Tucker and Dale VS Evil

It’s scary AND funny. Watch it, you won’t regret it.

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The Ring

I remember watching this one with a friend in high school. We even watched the extra feature, which was the video that’s supposed to kill you. Seconds after the screen went blank, my fricken phone rang! We screamed and hid behind the couch.

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Identity

I watched this one with my husband back on one of our first dates. I know the concept isn’t that original, but it was the first like it I’d seen, so it’s in my top five.

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Zombieland

I don’t even know if this counts as horror, but I really love this movie.

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Paranormal Activity

Pick one. They’re scary as all get out.

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And my Friday the 13th pick from last year was the undeniably creepy, Babadook

What are you planning to watch tonight? Got any great movies to add to the list? I could use a recommendation.

Writing Excuses Master Class

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Season ten of Writing Excuses introduces an entirely new format. Instead of doing 15 minute episodes, each focusing on a different topic, they decided to string the topics together. So while still fifteen minutes long, they took listeners through the entire process of creating a story start to finish. My favorite part about this change was that the writing prompts began to build on each other, which made them way more useful.

There were still wild card episodes with special guests that were one-off topics. I’m glad, because while I’m never going to not take advantage of the opportunity to get amazing advice from writers like Brandon Sanderson, I’m not new at crafting stories. Brainstorming techniques are fantastic, but I’m under deadlines for books I’ve already brainstormed, plotted, and started. To me the very best bits of writing excuses are the things that I can use to build on to my existing story in a revision pass.

But the podcast wasn’t created just for me. As the season progressed into character development and world building. I really liked their podcast on the magical 1% (chosen ones in an otherwise less magical society).

This is probably the best season to start with for new writers. If you listen on your computer, the liner notes have links to any of the podcasts they’ve covered in a similar vein, so you can catch up on the last nine seasons with a focused direction.

Here’s the link to season ten, I hope you enjoy it!

Play God Day

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Today is play god day! Yes, that’s really a thing. Play god day is a day for you to go that extra mile to make the world a better place. It’s a day that really calls on you to be the change you want to see. It asks if you could change anything about the world, what would you change. Got an idea? Great, now what’s your first step. This works really well with things like “end world hunger,” because there are options for an individual to help with that cause, it works less well with changes like have it always rain the perfect amount for every climate zone between the hours of two and five AM  so there are no more rainy days, so choose wisely.

I’m going to try to make the world a little nicer by going out with my daughter and doing some random acts of kindness. How are you going to play god today?

FAQ Friday: Why can’t the Gods lie?

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Well, the official book universe explanation is that words have power when spoken by the gods, so when they speak an untruth, they can unintentionally change the nature of something. That idea is heavily inspired by Diane Duanes’ Young Wizard series. But I included it in my universe because

1. the gods in my universe represent deities across cultures and mythologies. Hades isn’t *just* Hades, he’s the Hades equivalent in all mythologies. Some got more details right than others.So the rules of my universe needed to come from more than one culture. The not being capable of lying thing is borrowed from fairy lore.

2. There were a several instances in Greek mythology of gods being quite literally bound by their word (swearing by the Styx for instance, or the entire concept of Xenia, which the gods were bound to obey.) I needed to include aspects from those myths, but applying them randomly made no sense/would be, believe it or not, more complicated to maintain. The gods needed limits, firm rules, for the laws of my universe to feel real. Thanatos isn’t likely to get Persephone to unintentionally swear by the Styx, but to accidentally forget and lie? That’s a major limitation, and one that makes the magic systems of the gods feel more real.

Either way, it adds a whole new level to editing that I’m sure the folks over at Belle Books just love :D.

Combining Dialogue, Blocking, and Description

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I had several favorite episodes from season eight of writing excuses. They did an episode on writing pets, which made me realize none of my characters, not one, ever, has had a pet. No cats, no dogs, no horses. Hades had a dog once, but in the book, nope. No pets. I must work to fix this in the future. They did a great episode on retellings,   narrative rhythm, and chapter breakdowns that were super helpful to me.

But my favorite episode was the one on combining dialogue, blocking, and description. Integration is something that comes up in my writers group a LOT. You don’t want to have entire paragraphs of any one thing. Note I said paragraphs, plural. Occasionally having a paragraph or two of one thing makes it a focal point. It can be stylistic. But if you’re not doing it on purpose, description, thought, action, and dialogue should be interwoven. Dialogue requires natural beats. Places where the talking pauses and the reader gets to transition between who is saying what. Rather than just constantly writing he said she said, you can, and should, use description and action as those beats.

So

“Hi,” she said.

She leaned against the wooden table in a beam of sunlight doing something distracting.

You’d write something like,

“Hi.” Kelsey leaned against the wooden table in a beam of sunlight. More description or action.

There’s a balance to it. You don’t want your characters to get hyper.

“Hi!” Kelsey leaned against the table.”

“Hey.” I rocked back and forth on my feet.

“How are you?” Kelsey drummed her nails on the table.

“Great.” I slid into my seat. “You?”

You get the idea.

See how I use this technique in my work:

Poseidon cleared his throat. “As much as I’m sure you’d love to just lay here and ignore me the entire night, we need to talk.”

“Fine.” I craned my neck, squinting against the sunlight that blazed around the Poseidon-shaped silhouette. Motioning to the lounge chair beside me, I tried to pretend I felt safe. That I didn’t still remember the way he’d crushed me to him, his tongue snaking down my throat. After all, I had the upper hand now. Time to act like it. “Did you guys find Narcissus?”

The sea god nodded. “We’re watching him from a distance for now, hoping he’ll lead us to Jason. I maintain it would be better to question him, but . . .”

“You were overruled,” I guessed.

“Athena agrees with Persephone.” When Poseidon crossed his arms, sunlight spilled over his shoulders. “There’s more to gain through observation than interrogation. Plus, if he were to escape, it would lend more credibility to Tantalus’s story, and that could hurt your cover.”

“Have you guys figured out how Tantalus escaped from the Underworld in the first place?” The last I’d seen of the demigod, he was locked in one of his own cages with Ares’s spear in his chest, waiting for Persephone or one of the others to come lift his immortality curse. I’d been assured the demigod was now firmly dead and wasn’t going anywhere outside of his own special hell.

Integration is key. Thoughts, backstory, action, description, dialogue. Anything you could spend entire pages on will probably read a lot smoother if it’s all interwoven. Especially description. In writers group a question I ask people to consider is if you randomly look at 3-5 (sequential) paragraphs of dialogue, could your characters be on the moon. If the answer is yes, your characters need to interact with their environment. This is also called talking head syndrome.

And it’s important not just to have multiple elements in a paragraph, but to have them serving different functions. You can say “she said, angrily.” Or you can have her interact with the environment in a  way that shows she’s angry.

Brandon Sanderson took my integration spiel and did one better in this concept that I absolutely love, called the Pyramid of Abstraction.

The bottom of the pyramid, the scene setting, is the concrete foundation. The layers atop it can be more and more abstract, like tagless dialog without concrete descriptions, if that original foundation is firm enough.

You should listen to the episode, it really was fantastic.

 

 

 

The Styx

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I peered closely at the River Styx. In the center was a small island of trees. I could just barely see a long wooden canoe-like boat gliding around the island.

~@~

The Styx, (river/goddess of hate) is both a river and a goddess in Greek mythology. Primordials were confusing like that. In Goddess form, she was a nymph who lived in a  grotto with silver columns near the entrance of Hades (the realm, not the deity). In river form, she’s winds around the Underworld seven times.

Depending on which version of the mythology you choose to follow, Styx is either the daughter of Erebus and Nyx or the daughter of Tethys and Oceanus. She married Pallas and had four to five children (Zeluz, Nike, Kratos,  Bia, and sometimes Eos). She had a rather tragic love story involving the river of fire (Phlegethon). They were in love, but eternally separated. So in the Underworld, one flows into the other so they can always be together. This results in a steam-filled, marshy atmosphere in the Underworld.

In the titanomachy, Styx rushed to Zeus’s aid. Thus she and her children were spared the forced relocation of the elder gods. She also became the binding oath the gods swore by. A swear by the Styx can not be undone.

Her water was rumored to have healing properties. Achilles was dipped into the Styx as a child, and all but the bit of ankle his mother held him by proved to be invulnerable. Her waters were also very destructive. Stygian water (water from the Styx) and sulfur could destroy plants and animals. All divine weapons and cool stuff were forged from Stygian metal.

She connects to the Persephone myth in some versions as well as one of the nymphs who were playing with Persephone in the meadow, along the river, on the day she was abducted.

 

 

 

 

 

Resolutions

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This weekend brings New Years Eve, which means it’s resolution time. Last year, I resolved to stop being late to everything. I failed.

This year, I’m resolving to be more politically active. I have opinions, loud ones, but I’ve never done much more than go out and vote. This year, there’s too much at risk. So I plan on writing letters, making phone calls, getting involved, and putting my money where my mouth is.

Wish me luck.

What are your resolutions? Do they happen to be to read more? Because if so, Aphrodite is on sale for .99 cents for just a few more days. Get it while you can.