Movie Monday: The Road of Trials

After the hero crosses the threshold into the extraordinary world, they begin the road of trials. Often called try/fail cycles, this portion of the story has the hero going against challenge after challenge, failing miserably, then slowly beginning to master their power until they reach the top of their game, only to be shot down into the belly of the beast. But more on that next week.

This also tends to be where character flaws are exposed. The character may get arrogant or show impatience or loss of temper or some flaw that will have to be overcome for them to win later. That flaw is part of what drags them down into the belly of the whale.

Disney does this well with montage. My favorite montage that shows this journey is from Mulan. The many montage songs in this movie feature her trying, failing, trying failing, trying succeeding, trying succeeding, until the last song ends, the stakes raise, she succeeds in one really impressive moment, but that success leads into her downfall.

Other examples include Hercules fighting the monsters, Lilo and Stitch and Nani all dancing around each other, screwing up what the other was trying to accomplish, Mr. Incredible fighting on the island, Carl and Russel making their way through the strange land to Paradise Falls, Rapunzel and Flynn’s trip to the castle, Ralph’s foray through the other games, Ana’s journey to Elsa, and Hiro’s training montage in Big Hero Six. This is the part of the story where manageable and sometimes even humorous problems pop up. It serves as training, confidence builders (or breakers), and landmarks on the journey. I envy Disney’s ability to montage it, because it’s a lot harder to develop in written fiction. The midpoint where everything changes is clear, the start point where everything changes is clear to most writers, it’s the learning curve that’s hard to plot.

Happy Employee Appreciation Day!

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Happy Employee Appreciation Day everyone!

Now, I’m not an employee, nor do I have any, but I interact with employees every day, and I worked in retail long enough to know that it sucks. So if you’re working today, know you are appreciated and ignore the rest of this blog.

If you’re off or you don’t work or you don’t work for anyone but yourself, make the effort to show how much you appreciate the people who do in whatever way you can. Tip well. Find a manager and talk about how amazing the person helping you check out was. Get the name of anyone and everyone who helps you today and use them when you take the five minutes to fill out the surveys that come with the receipts. Incidentally, you get free stuff for doing that, so everyone wins.

Go out of your way to be nice today. They deserve it.

Writing on Wednesday: First Look

Every Wednesday from now until release date, I’ll be posting an exclusive scene from Aphrodite! Like what you read? Preorder today!

Incidentally, did you know that today is Read Across America Day? I’m reading Calamity by Brandon Sanderson. Comment below with the book you’re reading today for a chance to win an e-copy of Aphrodite.

Enjoy!

Aphrodite

“Is he traveling with you?” Miguel wedged Adonis’s suitcase between the door and the frame. He looked ready to throw Adonis out of the room if I said no.

“You can go,” I told Miguel, infusing enough charm behind the words to make sure he did as I asked.

“What—” Adonis asked when the door closed behind Miguel. “How—Why are you here?”

Oh, gods. I recovered from my shock enough to realize what Adonis being here meant. “You need to leave.” I rushed down the stairs, nearly tripping in my haste to reach him before the cruise left shore. “Adonis you need to go. It’s not—”

“This is my room,” he argued, snapping out of his daze enough to grow defensive. “Bought and paid for. I don’t know what you’re—”

—safe. You can’t be on this ship.” I reached for his bag as I grabbed his arm, propelling him toward the door. That I’d charmed my way into his room seemed too great a coincidence to process right now. For now, I just thanked the Primordials that I’d discovered him on board before it was too late. “Come on, I’ll walk you back to the dock.”

“What do you mean, it’s not safe? He wrenched his arm free and grabbed his bag from me. “What is going on?”

“Demigods are going missing.” I filled him in as best I could, stealing anxious glances toward the balcony to make sure the ship hadn’t yet set sail. “It’s not safe for you to be here.”

Adonis swore, his eyes going to the chandelier as he digested what I told him. “I can’t just leave,” he said finally. “I’m here for work. It’s this big event. We’ve got shoots scheduled at each of the ports and—”

“Any other demigods?” Demigods, particularly those in possession of charm, gravitated to fields like modeling, performing, or politics. What better way to get multiple demigods in one place than by targeting their most probable career paths? I made a mental note to check if the other cruises were geared toward any demigod-heavy fields.

“What?” Adonis shook his head. “None from my agency. Across the whole convention, maybe three or four.” He swore again. “I’ve got to warn them.”

Having three or four demigods on one ship was far too unlikely to be written off as coincidence. They were probably all targets. But if he told them, if they behaved differently because of what they knew, I might lose my chance to figure out who or what was taking them. “Let me handle that. In the meantime,” I pushed him toward the door, “why don’t we find your boss, and I don’t know, maybe charm him into thinking you stayed on board the whole time? Do you want a raise? I think I can work in a raise. Let’s just—”

He didn’t budge. “What’s your plan?”

“Right now? To get you off this boat.” I clenched my jaw, wishing Adonis were a normal demigod I could just charm into leaving. But Adonis was special. Thanks to centuries of inbreeding, Adonis was not only immune to anyone else’s charm, he seemed to have control over his own. The inbreeding bit isn’t as gross as it sounds. Before Zeus died, he’d experimented with turning demigods to a new kind of god. Adonis’s parents were both Zeus’s offspring. As were their parents before that, and their parents before that. Making Zeus Adonis’s grandfather, great-grandfather, great-great grandfather, and so on, on both sides.

Okay, maybe that is as gross as it sounds, but gods don’t have the same incest taboo as humans. We don’t pass on genetic material, just power.

Adonis leaned against the door. “I spent enough time with you last year to know that you’re not infallible, Aphrodite. None of you gods are, no matter what you think.” He pushed away from the door. “Demigods are going missing; I’m a demigod. So are my little sisters—”

“You have sisters?”

Adonis gave me a look that warned me that topic was closed. “What are you planning to do here? You’re not wearing a glamour; why? Anyone who knows anything is going to look at you and see goddess. Is that part of your plan? Is the Pantheon using you as a distraction? Someone that random power signatures can be attributed to while Persephone or one of the gods works in the background?”

“How about I explain on the way.” I pulled open the door, but Adonis shut it, keeping his arm pushed against it for good measure. With a frustrated sigh, I whirled on him, talking fast so he’d leave already. “I can’t hide that there’s a god on board, even with a glamour, because the power that it takes to maintain a glamour is something we can sense. Almost no one has heard of me. I figure it’s better to let whomever or whatever is behind this notice me so they can write me off. Let them assume that I’m not one of the very few gods who could withstand the level of charm it takes to pull off what they’re doing.”

Adonis fell silent while he considered that, taking an infuriatingly long time to do so. “Okay, but what if instead of blending in, you used a glamour to look like us? Demigods can’t normally control their powers, so any stray power could be explained away if you looked like one of us.” The more he talked, the more excited he seemed to get about his idea. “There’s this demigoddess I know—Elise. She was supposed to come to the convention, but she landed this skincare gig at the last minute. We could say it fell through. You could look like her and get taken with us. You’ll get to learn everything that’s going on and if you need to, you can teleport back to the rest of the gods to bring in the cavalry.”

I rubbed my temples, trying to think of the fastest way off the ship. We’d have to go to the main deck, right? “That’s . . . an elaborate plan.”

“Thanks. So . . . ?”

I tugged at the door again to no avail. “I could look like her, but I couldn’t claim to be her. I can’t lie, remember? So what if someone asks her a question that I can’t answer? Don’t you think I’d actually draw more attention to myself if I tried and failed to impersonate a demigod?”

“But you’ve lost the element of surprise,” he protested. “So whatever is behind this is going to see you coming. What about the demigods that have already gone missing? By being so obvious, you might actually be putting them in danger. And then there are the demigods still on board. Did you even consider them?”

There wasn’t a good way to tell him this wasn’t a rescue mission. I wasn’t supposed to stop the demigods from going missing. Just observe, report, and let the realm rulers figure out what they wanted to do with the information.

As it turned out, I didn’t need to say anything. Adonis studied me for a long moment, his mouth dropping open as he figured out what I wouldn’t say. “We’re expendable to you, aren’t we? You don’t actually care that we’re going missing. You just want to make sure whatever happens to us isn’t a threat to you.”

“Adonis . . .” I dropped my eyes, unwilling to meet his gaze.

“And you wonder why they all hate you.” His gold eyes locked to mine, smoldering with rage. “The few mortals who even know gods exist.”

No, we all knew. We’d never had to wonder. The boat bobbed on the waves as we left the port. I focused on the movement, the swaying chandelier, the subtle sound of the ocean beyond the glass walls, uncomfortable with the turn this conversation had taken.

Adonis clenched his fists. “You’re callous, and selfish, and—”

Okay, enough. Calming ocean crap could only drown out so many insults. “You do realize you’re not speaking to a collective here, right? Just me.”

“What, like you’re any different?” Adonis shook his head in disgust. “You’ve known for over a year Zeus wasn’t the one causing demigods to go missing. Why didn’t you warn me?”

“They aren’t dead.” Hades would have seen them in the Underworld.

“So what?” Adonis crossed his arms, then dropped them as if he’d realized he’d mirrored my pose. “You guys assumed ‘not dead’ equaled fine?”

“Zeus said he didn’t touch the demigods, but that doesn’t mean he wasn’t behind them going missing. And the disappearances seemed to stop when he died. If I’d known you were still in danger, Adonis, I would have warned you.”

“You would?”

“Of course.” I’d throw myself into the hottest pits of Tartarus before I let Adonis get hurt. He’d trusted me. Even knowing Zeus could have made me kill him with one word, he’d put his faith in me. That meant more to me than he’d ever know. I grabbed his hands. “I’m warning you now, aren’t I? You’re my friend. You’re not expen—”

“We are not friends!” Adonis exploded.

My breath caught. Adonis’s faith in me had kept me going through one of the worst moments of my life. Adonis’s strength held me together when giving in felt like the only option. He hadn’t just stopped me from doing something I’d spend the rest of my life regretting, he saved my life. I wouldn’t still exist if it wasn’t for him. But now, he was looking at me as if he’d rather I didn’t.

“You really don’t get it, do you?” His golden eyes raked over my face, full of anger and disgust. “What is it you’re expecting here, Aphrodite? Gratitude? You think you can just tell me my entire species is being rounded up, never to be heard from again, and expect me to leave? To fall over my feet, grateful you deigned to warn me? Hell, no. I’m not going anywhere.” He snatched his bag and headed toward the stairs. “If anyone should leave, it should be you. I can’t be charmed into forgetting anything. Do your god thing and put a trace on me. Assuming ‘not dead’ doesn’t equal catatonic, I’ll fill you in on all the details when you find me.”

Still stunned, I shook my head. “I’m not using you as bait.”

“I’m a hell of a lot more motivated to get to the bottom of this than you,” he argued. “Go do whatever it is that you do. I’ll make sure my people stay safe.”

“I can’t track you.” There were gods that could trace power signatures from across the globe, but I wasn’t one of them. “But if you insist on staying . . .”

“I do.”

“Then I guess I’ll be needing a new room.” I turned to go get my bags, unwilling to let him see how much his words had hurt.

“There are no other rooms.” Adonis sounded tired. “They offered me this upgrade because mine was double-booked. Then they tried to kick me off the boat entirely because of you.”

What, was he expecting an apology? I forced a smile to my face. “Somehow, I don’t think I’ll have trouble finding a place to sleep.”

“Because you’re going to charm someone out of their suite? No.”

I raised my eyebrows at that. “And who exactly is going to stop me?”

 

Movie Monday: The Extraordinary World

Last week, I talked about the call of adventure and how the acceptance (or refusal and then forced acceptance) of that call acts as a transition point in the story. After accepting the call, the hero leaves the ordinary world and steps into the extraordinary world. Disney tends to handle this in a song or a dramatic pan out.

Identifying the extraordinary world is as simple as stepping through the wardrobe or leaving the shire to journey to the great beyond. In some cases the extraordinary world is as simple as being not home. In others, characters are taken somewhere magical and amazing.

I’m going to use the same examples as I did in the post, the ordinary world, just for clarity.

In How to Train Your Dragon, the extraordinary world wasn’t a place, it was a realization that changed Hiccup’s entire world view. The realization that dragons didn’t have to be their enemy, that instead they could be your best friend was the extraordinary world. And for huge chunks of the movie, the ordinary world and the extraordinary world were kept separate with Hiccup splitting his time between each one and using the tricks from one to master the other. Things only got messy when the worlds collided. It was a really interesting take on the ordinary/extraordinary world and it made the typical hero’s journey fresh and interesting. Here’s my favorite scene showing the extraordinary world from How to Train Your Dragon.This incidentally also marks the end of the first trial.

In the sequel, the extraordinary world was a place. Further and further from Berk. But again there’s an interesting inversion because the way Berk is presented makes IT the extraordinary world to rest of the archipelago.

In the Croods the extraordinary world is everywhere but their cave. The further away they go, the more extraordinary it gets. In Inside Out, the extraordinary world is everything outside of central headquarters. Same deal with Rapunzel and her tower. Belle’s extraordinary world was the Beast’s castle. In the Swan Princess the extraordinary world was the enchanted lake. UP’s extraordinary world was Paradise Falls. In Wreck it Ralph, it was other games.

When the extraordinary world is a place, the protagonist has one of two goals regarding it. To get out of it and go home, or to get as far from ordinary as they possibly can. The hero’s journey is a journey after all. And most journeys have a destination. However there is one special kind of hero’s journey that’s takes a bit more interpretation. When the extraordinary world is a person.

Whether it’s a manic pixie dream girl or a cat, a magical nanny, or a cat in the hat, these journeys occur when some strange and extraordinary stranger intrudes on the ordinary world and forces it to change to become extraordinary with it. For instance, in Enchanted the the extraordinary world depends on your protagonist. For Giselle, it’s New York. For Robert it’s Giselle and her strange ways wreaking havoc in his slice of life.

In Big Hero Six the extraordinary world was Baymax. It fits all the requirements, Hiro even returns to the normal world at the end of the movie, changed. Monster’s INC’s extraordinary world was our world to some extent, but to a larger extent Boo.

Can you think of any other examples where the extraordinary world was a person?

 

For Real Friday: Just Because You Love It…

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My husband and I sometimes argue about how inflexible I am about going to writers’ group. “Can’t you just skip this week?” he’ll ask before bringing up some fun thing we could go do, like seeing a movie as if a fun activity to pass the time and the thing that gives me consistent deadlines are interchangeable.

A friend of mine has a very specific time window for writing while her kid is in MMO. It’s a tiny, four hour block of time she gets twice a week. In that time she’s finished amazing books. Her husband knows it is her writing time, it’s why their child is signed up for MMO, but every time one of his days off lands on an MMO day they end up arguing because he doesn’t see why she can’t just do it later when he’s not home.

Another writer friend of mine despaired that a copy of his book leaked pre-publication and had already been downloaded all over the place. People think nothing of stealing a book someone worked over a year to write. I’ve heard people justify piracy like it’s an insult they’d be expected to pay for something that someone else enjoyed making. “Shouldn’t they be happy anyone even wants to read their book?” (Singers and actors get that one a lot, too)

It’s not just other people.

Today before I sat down to write, I got an email regarding something I volunteered for at my daughter’s school, a bill in the mail that needed to be paid, a text from my husband about some groceries we forgot to pick up, and a reminder note to schedule my cats’ yearly exam. None of it was so important it had to be dealt with just then. It all could wait. But I still felt tempted to stop and deal with all the less fun stuff so I could enjoy my “down” time writing.

Writing pays my mortgage. It’s not down time. It’s absolutely essential.

We, as a society have a really weird hang up about things we enjoy. Point out any profession that people go into for the love of it, and chances are they are fighting tooth and nail to be paid while people chant useless things at them like “No one goes into teaching for the money. If you didn’t love your job, you wouldn’t be there.”

For some reason we equate any job we might actually find enjoyment in as something that doesn’t count as real work. But writing, or any other job that takes work and time and effort, is no less of a job because you aren’t miserable doing it. Critique meetings are no less important because they also happen to be fun. Just because you love it doesn’t mean it’s not worth doing.

 

 

Writing on Wednesday

Every Wednesday from now until release date, I’ll be posting an exclusive scene from Aphrodite! Like what you read? Preorder today!

Enjoy!

Aphrodite

I hesitated when I reached the door, listening. Surf crashed against the sand, but no other sound penetrated the walls. A glance through the peephole only showed a shadowy figure with broad shoulders. “Who is it?”

“Me.”

Ares. Gritting my teeth, I tossed my hair back and unlocked the door. Fiery eyes greeted me, igniting months of pent-up anger toward my . . . what? Ex? Did our brief fling last summer even qualify as a relationship? Hell if I knew.

“Aphrodite.” He stepped forward, the motion seeming almost unintentional as his eyes drank me in. When he came up against my shield, he frowned.

My hand itched to slam the door in his face. Instead, I called up my most dazzling grin, dropped the shield, and threw myself into his arms. “Ares!” I made myself laugh—as if he hadn’t broken my heart—when he picked me up and spun me around. “I haven’t seen you in—”

The word forever caught in my throat. Gods can’t lie. Like, it’s physically impossible. But human sayings have a tendency to get stuck in my head. “Thirteen months.”

“You counted?” A cocky grin lit up his face as he set me down and crossed over the threshold. “Got you something.” He drew a long, thin brown paper bag from his coat and handed it to me.

I withdrew the picture book inside, smiling when I saw the cover. It was a children’s book on mythology. Flipping through the pages, I saw tiny envelopes begging to be opened, three dimensional cut-outs, and a hodgepodge of items fastened to the pages like a scrapbook. As a new goddess, some of the nuances of humanity eluded me. Reading their take on our history, particularly how they framed myths for their children, gave me some insight. It was amazing how much humans got wrong.

I flipped to a page that showed a young girl reaching down to pluck a flower from the edge of the riverbed, seemingly unaware of the frost creeping up the petals. The heading proclaimed the myth of Boreas and Orethyia to be the origin of winter. I turned to another section and my gaze landed on an illustration of Eris, the Goddess of Discord, holding a golden apple between Hera, Athena, and Artemis. I frowned, reading the section title. “The Divine Beauty Contest.”

Ares glanced over my shoulder, his breath familiar against my neck. “If you’d been around back then, you would have won that. Hands down.”

Whatever Ares saw on my face made his grin falter. He backed away. “I would have called, or come by, or something after—” He shoved his hands into the pockets of his leather jacket. “I’m sorry. I was stuck in a jar. It’s a long story, and we’re already running late.”

Late? My insides went cold, and I set the book down on the kitchen countertop. “She told you.” Persephone might be a powerful patron, but I’d worried more than once that her naiveté would be my downfall.

“Poseidon got a lead on the missing demigods, so he pulled her into a meeting to talk strategy. Nothing they think I’d be any help with.” He smirked, stepping into my small living room, dark eyes flitting over the slim furnishings. No one took Ares seriously, and he liked it that way. “Hades stepped out long enough to ask me to collect you.” A flicker of concern lit up his eyes as he looked me over. “And I can sense that you have enough power to dreamwalk. So why did he send me?”

Dreamwalking didn’t take much power. But the ability to stay asleep long enough to slip into a dreamscape helped. Persephone understood why peaceful sleeping was an issue for me, so we’d arranged to meet early. If I couldn’t show, she’d ’port in to physically pull me into the dreamscape.

“Believe me, I’m asking myself the same question.” I moved backward until I bumped against the couch. Sitting down, I crossed my legs and studied Ares.

His gaze lingered on my legs for a split second before he caught himself and met my eyes. “Have the nightmares gotten that bad?”

You don’t get to ask about my nightmares. I flashed my teeth at him. After Zeus died, Ares, Adonis, Hephaestus, and I took off on a celebratory road trip, thinking Zeus would never trouble us again. Right up until I’d woken up screaming. “You’re really not going to elaborate on how you managed to get stuck in a jar for over a year? Seriously?”

“No, I’m really not.” His hands stayed in the pockets of his jacket as he leaned against the wall opposite me, putting as much space between us as the small room would physically allow. “Look, I get it. I’m the last person you want to talk to about this, but you need real help, Aphrodite. If this is the full extent of Persephone’s solution, I mean, it’s cute, but—”

“Cute?” I held up my hand. “Let me stop you right there. Our queen is not ‘cute,’ she’s—”

Ares rolled his eyes. “That whole queen thing was never made official.”

“We swore over our powers! How much more ‘official’ does it get?”

“She gave them back after she killed Zeus.”

Not mine. When Zeus created me, he’d thrown in an extra special quirk, making me obedient to anyone in his bloodline who outranked me. Only Persephone outranked me now. But refusing to break the vow of fealty that gave Persephone control of my powers made obedience my choice rather than his. Ares might see the distinction as meaningless; after all, I was hers to command either way. But some days, the subtle distinctions between Zeus’s choices and mine were all that kept me sane.

“She’s strong.” Ares held out his hands in appeasement. “I’m not contesting that.”

I rolled my eyes and picked up my phone, making a show of looking at the time while he talked.

“But strength doesn’t trump knowledge. I’ve been around a lot longer. I know a thing or two about—”

“And we’re officially late.” I tossed the phone toward him before he could elaborate. He didn’t know anything about what I’d been through. If he did, that night would have ended a lot differently.

Ares caught the phone by reflex. “You can’t afford to be seen as weak.”

My nails bit into the palms of my hands. “I know.”

“I don’t think you do.” He crossed the living room, pausing to set my phone down on the arm of my couch. “You bound yourself to Persephone. On one level, her claim to you may help, because no one is going to touch you unless they want to deal with her. But if they do want to get to her or send a message, then you’re a good way to do it.”

“I knew the risks when I swore to her.”

“Did you? Because you made a statement that you didn’t have to. You chose a side—”

“There are no sides anymore.” Zeus’s death might have set me free, but the circumstances of his demise created a major power vacuum and completely upset the hierarchy of gods, who were long accustomed to picking sides and petty squabbles anytime they got together. Right now, everyone had fallen into an uneasy truce. I knew Ares didn’t expect it to last long, but I had hope. This was a new Pantheon. There weren’t as many of us left, and our issues were a bit more meaningful than beauty contests and scandalous gossip.

“In this moment, yes. But peace never lasts. Persephone might slip up or Poseidon could go off the rails—hell, he’s halfway there already. But something is going to happen and we’re going to be at each other’s throats again. We all know it. Why do you think we all spent the last few thousand years in our separate corners, ignoring one another?”

“To make it easier for Zeus to pick you off?” I suggested, studying the half-moon indentions my nails left in my palms. Zeus had been systematically killing off his offspring and absorbing their powers, unbeknownst to the Pantheon. That was, until he abducted Demeter’s daughter and Poseidon’s son. Going after the children of realm-rulers was too great an offense to ignore, so the Pantheon came together and fought Zeus in a bitter battle, heavy with loss.

“You made a statement, Aphrodite. But the only advantage you’ve got to back it up is charm. That’s not always going to be enough.”

I could do shields, healing, glamours, and all the standard stuff as well, but most of the gods that were left had received something extra from both of their parents. I only had one—Zeus. “You mean the charm I used to completely incapacitate you?” I snorted. “I’d say it’s enough.”

Charm, or charisma, is like mind control. If used correctly, I can look any human, and most gods, in the eyes and make them do whatever I want. Lucky me, since gods need worship to survive. Since I’d only been created a couple of years ago, I didn’t exactly have a cult following to support my existence.

Ares shifted, visibly uncomfortable at the reminder. “I’m not one of the gods you should be worried about.”

I frowned, trying to figure out who he thought I should worry about. Athena, probably, though she’d always been friendly enough to me. Poseidon maybe? Only an idiot would let their guard down around him. Still, I considered everyone else in the Pantheon to be a friend.

“Let me help you.” Ares stepped forward, closing the space between us.

I narrowed my eyes. “What I need, you can’t give me.”

Ares gritted his teeth. “Fine. But for now, we need a convincing reason to explain why we’re late, not to mention why we’re showing up together.”

He had a point. The other gods wouldn’t actually ask, but I didn’t want to start the rumor mill churning with the idea that either Ares or I were too weak to dreamwalk without assistance.

“Okay, so it’s the middle of the day in Bangkok.” Ares’s face screwed up in thought. “If we ’port into a traffic jam there, then we could say that we got caught—”

“How did you even survive before me?” I slid my arms around him, shivering when my skin came into contact with his cold jacket.

“Oh.” Ares said, catching on. He lowered his mouth to mine. “Yeah, that’ll work, too.”

His lips burned against mine, warm and eager. Familiar. The kiss deepened, then multiplied. Ten kisses as short as one, one as long as twenty, and the entire universe dissolved into Ares’s touch. For one precious second, I felt like more than a tool. More than Zeus’s abomination willed to life. Someone, not something.

But his kisses were lies. And they hurt more than any truth I’d ever faced. Memories sprang to my mind unbidden. The whisper of fabric, a gentle caress, his lips against mine. What you’re looking for, he’d whispered, I can’t give you.

My back hit the couch, pinning his arm beneath me.

“Are you ready?” he asked, breaking away.

“Yeah,” I whispered, my voice hoarse with what? Pain? Wanting? Whatever this feeling was, I didn’t like it. Or maybe I liked it too much.

Ares pressed two fingers to my forehead and pushed me into the dreamscape.

 

 

 

Movie Monday: The Call to Adventure

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Last week I talked about the Ordinary World, sometimes called the slice of life, and basically sets up the day to day existence for the hero before they begin their journey. Today, I’m going to be talking about the first step of their journey, the call to adventure. This is when everything changes.

Joy and Sadness are sucked into the memory tube.

Elsa runs away and freezes everything, so Anna must go find her.

Ralph is challenged to get his own medal.

Sometimes this moment is also called the inciting incident. My favorite example is from Hercules, because you see his longing to leave the ordinary world and since he doesn’t refuse the call, it’s a very simple transition. Also the entire call to adventure is featured in song form, which makes it extra fun :D.

But sometimes heroes refuse the call to adventure and decide to stay home so the plot rises up and forces them on the journey through some other means. For example: In Big Hero Six, Hiro’s call to action is to go to Nerd School (it’s important to note the call to adventure is often a false promise or a deceptively simple task that turns into something much more complex than ever imagined), but when he does get in, the entire accomplishment is fraught with so much tragedy that he doesn’t go. He stops inventing, he stops everything until Baymax notices his nanobots are behaving strangely and forces Hiro into an investigation.

Spiderman doesn’t go after the thief, is instantly and swiftly punished for ignoring the call, and goes on to fight crime.

Aang runs away from his responsibilities as avatar and ends up frozen for a hundred years and wakes up to see the consequences of his inaction.

Simba refuses his call to adventure when Nala first approaches him. It takes being beaten by Rafiki and guilted by his dead father before he realizes he can’t hide anymore. It’s my favorite example of refusal of the call because the consequences are there and laid out. He knows people are suffering because of his refusal (I refuse to acknowledge the argument that his initial refusal was when he ran away in the first place. All that would have done is gotten him murdered) but his refusal is articulate and intentioned and so utterly painful that you feel for him the entire speech.

 


Accepted or refused, once the hero responds to the call to adventure, they are transported from the ordinary world into the extraordinary world and everything changes.

Cover Revealed!

This went live first on Goodreads, but now everyone can see! There’s still a ton of fun to be had with trivia, music, quotes, prizes, and more if you check out my twitter and Facebook pages. Drop in now and ask any question you like. Live Q&A ends at 5:00 PM EST!

See you there!

 

 

 

For Real Fridays: Mom Fear

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I have a real problem with this post. A big one. I keep seeing it floating around online and every time I see it, I grit my teeth.

Moms know they can die in childbirth. Every mom. Promise. Moms know they can lose the baby in childbirth. Moms know they can lose the baby at any point during the pregnancy. Moms know. From the minute that positive result shows up on their pregnancy test, moms are clearly aware that the air they breath, the food they eat, the drinks they drink, the amount of work they do or don’t, the surroundings they keep, and literally every.single.thing.they.do can kill the baby. We know.

I promise you, every woman in that class know they can die or the baby can die. Promise. It keeps them awake at night. They read books that tell them so, they listen wide eyed to horror stories, they google every twinge and symptom. Moms know the worst possible outcome.

They’ve also been fed horror stories about doctors choosing to do c-sections so they don’t miss a golf game. They’ve heard that the epidural could hurt the baby, however rarely and they would rather suffer through labor pains for hours to prevent that infinitesimal risk. They make the birth plans to make sure they have a voice when they may not be able to speak. Labor is terrifying. I didn’t have a birth plan and I got the epidural as soon as I possibly could, but in the back of my mind, I was scared I was making the wrong call.

But they also know that in an actual emergency, that birth plan goes out the window. THAT is why their worse case scenarios include c-sections and epidurals, because it means they are either in the hands of a medical professional that is willfully ignoring their wishes, or something has gone terribly wrong and they or the baby could die.

They don’t want to imagine the end of that scenario. If this woman did, fine, I’m not upset with her for feeling emotional about it while typing up that post. She’s a pregnant woman. I’m upset with the nurse for being so pleased/surprised. What kind of labor and delivery nurse doesn’t know women are scared? My mom was an L&D nurse for over twenty-five years. Fear is universal experience when it comes to being pregnant.

It doesn’t end when you deliver either. I gained a magical ability when I had Bella. I can look at any piece of furniture and tell you all the ways it can kill a tiny human. I could write baby Final Destination. It flashes in front of my eyes faster than you can say baby proof. Other moms gain other magical powers. They can tell you all the harmful chemicals that are in a slice of bread. The thousand ways a certain tone of voice can damage a child’s self-esteem. They gain these magical powers because mothers have been given an overwhelming task. Keep your tiny human alive, and healthy, happy, and well adjusted. P.S Literally every breath you take impacts the outcome.

We worry about co-sleeping versus cry it out, breast feeding versus bottle, attachment parenting versus free-range, public versus private school, scheduled or unscheduled time after school, work or stay home, organic or regular food, vaccinate or not. Every cross roads we could ever come to has been pre-sown with seeds of fear. To stay sane, most moms hyper focus on that one thing. Their issue. I had a professional baby proofer come to my house. My water literally broke when the last closet door safety latch was installed. Because I worried about baby proofing, I didn’t worry as much about epidurals. I was aware of the whispers about them enough to be afraid in that moment, but I’d picked my thing to focus on.

I’m not mad at the moms who don’t vaccinate.I’m mad at the Doctor who falsified data for profit. Knowing that his study was intentionally skewed didn’t stop me from holding my breath while Bella was being given the MMR. The knowledge that I was giving consent to something that most likely wouldn’t, but what if it did tremendously impact her entire life, is paralyzing. It’s like you’re standing on the brink of a huge fall and you’re going to go over on one side or another and there’s tons of fog. You’re 99.9% sure that side A only has a one foot fall and the other is a 50 foot drop. That 99.9% certainty doesn’t stop you from being scared as you take the plunge. As a mom, that’s every decision you ever make.

We know fear. We know the worst case scenarios. And if you don’t know that, you’ve never actually listened to another mom.

Writing on Wednesday: Deadlines

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Deadlines are simultaneously the most motivating thing I’ve ever experienced when it comes to writing and the worst thing ever. Most of my writing life, I don’t have a major deadline approaching. I had all the time in the world to write Persephone. Then while it was in queries, I had a ton of time to write Daughter of the Earth and Sky. Iron Queen was the first book where I had even close to a deadline. A year while the other two books released, which would have been nothing if I wasn’t student teaching at the time.

I had a ton of time to work on Aphrodite, but then I needed a break from that world. Instead of immediately going to book two, I wrote an outline and took a break to write something outside the daughters of Zeus universe. I finished that draft at about the same time I got picked up by Belle Bridge, then started work on Love and War in ernest.

Then something unexpected happened. In revisions for Aphrodite, a huge chunk of my…not plot, but character development and subplots for Love and War got shifted to Aphrodite, leaving me with all the events for book two, but none of the character reactions/conflicts were right anymore.

It was a good move, by the way. Aphrodite became a much better book for it. But man did it leave me in a bind. Content revisions for Aphrodite ended in November, leaving me three months to basically rewrite the entire second book from her new perspective, which changes how she reacts to things, which changes, not the big picture, but how she GETS from point A to B to C. Not to mention those subplots.

So for the first time in my writing career, I’m writing on a super ultra deadline. I’ve got a daily word count I have to meet if I have any hope of getting this done, and I have to meet it every day without fail. I’ve got about two weeks left and it’s going well. Incidentally, the quality of the books should not suffer at all for the deadline. This is my deadline to get it to the publisher, but once there it’s going to go through multiple rounds of intense edits and they get it way in advance of publication so there’s plenty of time for those edits.

But man do I have mixed feelings about that daily word count. On the one hand, I slip into the writing zone much easier now. Before, I wrote every day, but some days that was a few paragraphs, and some days it was over ten thousand words. The over ten thousand word days were awesome. I felt like I was almost buzzing with words, they just poured out of me and time just stopped existing. The paragraph days were awful because I was trying to force myself into that zone and sometimes it just didn’t happen. But if I didn’t try every day, then days would turn into weeks and it was that much harder to get there again, so those awful paragraphs would keep my brain working for the days between the super awesome writing days. With the daily word counts, I’m in that writing zone much easier but I can’t stay as long. I get about halfway to my word count and have to take a break or I just start writing gibberish. Then I get half of the half and have to take a break, then half of that until I’m literally typing a few words, checking the word count, then coming up with a few words again. At the beginning of the day, I’m exhilarated, at the end of the day I’m exhausted. But the good news is, the end of the day crap, fuels the beginning of the next day because somewhere in the back of my mind, I’ve been thinking about how terrible it was, so first thing the next morning, I’m fixing it and moving on from that plot point to the next until I stutter to a halt.

I think there’s value into writing like this, but when I finish Aphrodite, I’m definitely taking a break from word counts for a month. I think maybe alternating months may be a good thing. Take a month and write to the point of exhaustion, then spend the next month not caring about the word counts at all, just making sure I do a bit every day.

What do you think? How do you handle writing deadlines? Do they motivate you or kill your creativity?