Fave Friday: Litographs

I love these shirts. What they do is they take a story, and create a design using all the words in the book. Well, at least 50,000 of the words in the book.

I want to own them all. I’ve made a deal with myself that every royalty check I can get one (because otherwise I won’t pace myself at all and I’ll have a closet full of more shirts than I could wear). Here are my favorites by design and book. These aren’t a reflection of my favorite books represented on their site. I had to like the book AND the design for it to end up on my list.

Obviously mythology shirts made my list. Not only do I love the content, but it’s basically walking advertising. These shirts start conversations where I can slide in the fact that I write mythology retellings. Plus they look cool. The shirts are Bullfinch’s Mythology, The Odyssey, the Iliad, and the Aeneid.

There are a million different children’s stories I want from the site, but these are my top four. Alice in Wonderland, The Blue Fairy Book, Stories by Hans Christian Anderson, and the Princess Bride.

Miscellaneous. I love the way these look and I’m a huge fan of the actual books the text comes from. I already bought The Last Unicorn, Cinder is next on the list, Poems by Emily Dickinson is awesome on a lot of levels, and The Tempest has a really neat design.

Which one should I get next?

The Snowflake Method: Step 2

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Last week, I introduced the snowflake method and explained I’d be taking a week to outline and give an example of each step. This week, we’re moving on to step two.

The second step of the snowflake method is to expand your one sentence summary into a one paragraph summary. This is not the back cover copy. This paragraph summarizes the entire book, including the ending. This is pretty easy if you have a vague idea what your book is going to be about, especially if you follow the three disasters and an ending format.

Sentence one should be the backdrop.

Sentence two through four should each be a disaster.

And sentence five should be the ending.

I was going to do an example from Aphrodite, but since it’s four books into a series, it’s not a great example of what could ultimately be used as a querying tool if done right. So I’m making an example of Persephone instead.

Sentence one: Backdrop

Persephone thought she was just a typical, modern day teenager until she realized she was being stalked by a season.

 

Sentence two: Disaster One

When Boreas, the god of Winter, attempts to whisk her away to a not so winter wonderland, she’s rescued by Hades and offered refuge in the Underworld.

Sentence three: Disaster Two

Unable to physically reach Persephone in the Underworld, Boreas begins going after her through her dreams.

Sentence four: Disaster Three

When Persephone learns to defend her mind from the deranged ice god, he kidnaps Persephone’s best friend and threatens to kill her unless Persephone agrees to take her place.

Sentence five: Ending

In a desperate bid to save her friend, Persephone embraces her power as a goddess and succeeds in killing the god of winter, only to learn an even larger danger is lurking closer to home than she had ever imagined.

Put it all together.

Persephone thought she was just a typical, modern day teenager until she realized she was being stalked by a season.When Boreas, the god of Winter, attempts to whisk her away to a not so winter wonderland, she’s rescued by Hades and offered refuge in the Underworld.
Unable to physically reach Persephone in the Underworld, Boreas begins going after her through her dreams. When Persephone learns to defend her mind from the deranged ice god, he kidnaps Persephone’s best friend and threatens to kill her unless Persephone agrees to take her place. In a desperate bid to save her friend, Persephone embraces her power as a goddess and succeeds in killing the god of winter, only to learn an even larger danger is lurking closer to home than she had ever imagined.

Is this a perfect summary? Heck no. It leaves out almost everything important. The relationship with Hades, Thanatos, Persephone’s entire arc. But this does serve as a great framework, because these are the three disasters that set the rest of the plot into motion. This paragraph isn’t the place for character development or interpersonal drama. This is incredibly broad strokes. The next step fleshes out the characters. But more on that next week.

 

 

 

 

 

 

Mythology Monday: The Argonauts Encounter Sirens

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I’ve always hated the ocean. Otrera and the others can just sit out there, on the ocean’s edge for hours sunbathing, and to them, the sound of the surf crashing to the sand is something relaxing. To me it’s downright ominous. Like the water is drawing closer and closer as the tide swallows the sand. The water doesn’t look beautiful to me. It looks mysterious. Anything could be lurking below the surface, and I could never shake the feeling that I didn’t belong there. Or that something else might take offense at my intrusion. I always thought it was a silly fear, my own personal phobia, until I saw the monsters waiting beneath the waves.

I shuddered at the memory of Ren, the first female demigoddess anywhere near my age that I’d met. Blood in the water as she screamed. Slick, grey shapes closing in on her from beneath the waves. She’d never been all that stable, but none of us expected her to jump overboard. The bitter memory clashed with the happy atmosphere of the dining hall, morphing the din of conversation and laughter from the nearby tables into something menacing.

Ren was just a first generation demigoddess and she had no control of her powers. None. Jason told me they found her after her charm drove her step-father to shoot her mother then blow his own head off for making Ren cry. She mostly stayed below decks until that horrible night when she jumped.

“We’re monsters, all,” she’d sobbed before stepping off the edge of the boat.

I didn’t know our charm worked on anything other than humans. But the dolphins were drawn to her. At first we were delighted by the sight of them, but then they started fighting over her.

Talos had jumped in after her, a rope tied around him, before we spotted the pod. But when the dolphins realized he was trying to take her away from them…

Swallowing hard, I pushed my lunch tray across the slick table before returning to my journal. I’ll never be able to listen to that Orpheus song again. Every time it comes on the radio, I see the blood bubbling along the top of the water and hear her screaming. Her screams were the worst because they compelled action. There weren’t enough of us immune to charm to hold back the guys who kept trying to leap off the boat to save her. I ended up turning on the radio to drown her out.

~@~

After their escape from Colchis and a cleansing by Circe,the Argonauts headed home with much nicer weather on the horizon. They ran into a bit of trouble here and there but nothing that most of them couldn’t handle. Like every other Greek hero, the Argonauts encountered Sirens. Beautiful women whose songs tempted sailors to their watery graves.

According to Greek mythology, there were anywhere from two to five Sirens, sometimes referred to as muses of the water world/lower world. They may have been named the following (depending on your source); Thelxiepeia, Molpe, Himerope, Aglaophonos, Pisinoe, Parthenope, Ligeia, Leucosia, Raidne, and Teles. The Romans claimed they lived on an island called Sirenum Scopuli, but most sources place the sirens on random flowery islands surrounded by cliffs and rocks that were conveniently located en route to the hero’s destination. The sirens were either the gods of a muse (which one changes depending on the myth), deminymph, or Chthon (an earth goddess) and a river god named Achelous, or they were daughters of the primordial deity, Phorcys, god of the hidden deeps of the ocean. They were either gorgeous, gross, or bird women depending on the myth you read.

Once upon a time, the Sirens were playmates to Persephone. When Persephone went missing, Demeter gave the women wings to search high and low for her daughter, but when Demeter learned they’d seen her daughter abducted and did nothing to stop it, they were cursed, lost their feathers, and possibly became cannibals, implying they ate the drowned sailors. Though can they really count as cannibals if they’re eating another species? I’m not sure about that. They also may have lost their feathers after they lost a singing competition against the Muses.

When the Argonauts sailed past the Siren Island, Orpheus played his lyre and played a prettier song loud enough to drown out their singing. Only one of the crew, a guy with great hearing named Butes, heard their song and leapt into the sea. But Aphrodite rescued him so all was well.

The Sirens later died when Odysseus sailed past them, tied to a mast so he couldn’t go to them. He’d instructed the crew to plug their ears with wax so they couldn’t hear the sirens and not to under any circumstances allow him to jump into the ocean. Why didn’t Odysseus plug his ears like Circe suggested? He was curious. Since the Sirens were cursed to live on the island until a man passed by that heard their song yet did not respond to it, they threw themselves into the ocean and drowned when Odysseus passed.

Friday the 13th!

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There’s only one Friday the 13th in all of 2016 and it’s today. For you superstitious types, that means that one year’s worth of bad luck is going to fall today.

For those that aren’t superstitious, tonight would be great night to watch horror movies. Here’s a few of my favorites. If you can’t tell from the list, I don’t watch a lot of horror. I hate slasher films, and if it doesn’t have a decent plot, I’m gone. Plus I don’t like being scared that often. I have to be in a very specific mood for scary movies. None of the classics are on here because I have no appreciation for the genre. Sorry.

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Tucker and Dale VS Evil

It’s scary AND funny. Watch it, you won’t regret it.

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The Ring

I remember watching this one with a friend in high school. We even watched the extra feature, which was the video that’s supposed to kill you. Seconds after the screen went blank, my fricken phone rang! We screamed and hid behind the couch.

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Identity

I watched this one with my husband back on one of our first dates. I know the concept isn’t that original, but it was the first like it I’d seen, so it’s in my top five.

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Zombieland

I don’t even know if this counts as horror, but I really love this movie.

 

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Paranormal Activity

Pick one. They’re scary as all get out.

As for tonight, I’ve heard good things about the Babadook. What are you planning to watch tonight? Got any great movies to add to the list?

 

Writing on Wednesday: The Snowflake Method

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I’m a pantser, not a plotter. I do a kind of vague outline for the series as a whole and the individual books. I’ve got a ton of tools, notecards, and a dry erase board that I use when I’m brainstorming the story, but for the most part, once I start writing, I just plow through until I’m finished, then go back in revisions and fix all the inconsistencies. I know the major plot points going in, but not much between.

But when I started writing Aphrodite Book 3 (I really need to come up with a name for it), I knew I needed to do something different. When I revised Aphrodite, most of her character arc that I had planned for her entire trilogy ended up in the first book. And almost every scene with Ares had dialogue taken directly from book two. Book two was pretty much gutted, and that’s fine. It made Aphrodite a much stronger book. But that meant that I had to completely change book two to suite a character who was in a wildly different place than I’d imagined her starting and a romance that was way further along than I intended it to be.

Revisions for Love and War are still ongoing and since it’s a middle book, any change in the sequence of events or characters is going to equal massive reverberations to book three. So when I turned in Love and War and tried to get started on Book 3, I found myself stuck. I know the major events. Those aren’t going to change. But how the characters get there, that’s in flux. But deadline wise, I can’t just not work on it until Love and War goes through revisions. Plus, it’s a process that goes both ways. While I’m writing I might have a revelation about a character that I want to plant seeds for in book two.

So, I’ve decided to try something new. The Snowflake Method. Click the link there and read all about it, and if you have scrivener, download this template. Trust me, you’ll thank me.

I’ve been using the template since the first of April, and I’ve made some great strides. Part of that is because in writer land, anything new and exciting that gets you writing is a good thing. The rest is the fact that this method rocks. The best thing is, as I’m going through and figuring things out, I’m not just making changes to my outline, I’m making notes to focus on in the revisions of Love and War. So this has really helped me flesh out some of my background characters a lot more and given me a lot of ideas for how the plot can progress while still leaving me a lot of flexibility to make changes without having to gut my entire novel.

I’m going to be talking about this template over the next few weeks.There are ten steps to the snow flake method, so I’m going to go ahead and start with step 1.

Step 1: Take an hour to come up with a one sentence summary of your story. Here’s the guidelines offered on advanced fiction writing.

  • Shorter is better. Try for fewer than 15 words.
  • No character names, please! Better to say “a handicapped trapeze artist” than “Jane Doe”.
  • Tie together the big picture and the personal picture. Which character has the most to lose in this story? Now tell me what he or she wants to win.
  • Read the one-line blurbs on the New York Times Bestseller list to learn how to do this. Writing a one-sentence description is an art form.

You’re going to want to take the whole hour to tweak the words and really think it through. I promise you as a frequent writer of query letters, do this before you write the book. It’s so much easier to expand on an idea then it is to shrink one. Even if you don’t use the snowflake method, you’re going to want a ten second summary.

Also, know that this will change as you go through the snowflake method and the actual writing of your book.

 

Now I’d love to share the one line summary for book three, but since book two isn’t out yet, I’ll refrain.

Aphrodite’s one line summary using the snowflake method would have looked something like this.

When demigods start going missing under mysterious circumstances, a gorgeous goddess investigates with help from the one man immune to her charm. (22)

But that’s too many words. So let’s cut under mysterious circumstances, because if they’re missing, the circumstances are already pretty mysterious. And start is a filter word and I don’t mention the setting, so I’m going to try this.

When demigods go missing, a gorgeous goddess boards a cruise to investigate with the help of the one man immune to her charms.(23)

Still too many words. I know the fifteen word thing isn’t set in stone, but focusing on that word count while trying to get the gist of the story in it is really helpful to my thinking process.

A gorgeous goddess boards a cruise ship to investigate missing demigods with help from the one man immune to her charm. (21)

A goddess boards a cruise to investigate missing demigods with help from the one man immune to her charm. (19)

Still too long and too abrupt. Maybe the cruise isn’t as important.

When demigods go missing, a goddess investigates with the help of the one man immune to her charm. (18)

A goddess investigates missing demigods with help from the one man immune to her charm. (15).

It’s still not perfect, but through this exercise I’d figured out three things that were super important to me in telling this story. Demigods are missing. A goddess is looking for them. She’s joined by a guy she can’t charm. And she’s on a cruise ship. If I take the rest of my hour, I can probably work the cruise in somehow, but that book has already been published, and I think I’ve made my point.

This is a really good exercise to help you think through the most important base components of the story. And playing with the words in a small, unthreatening chunk gets your brain working on the plot.

Plus it’s fun. Can you summarize what you’re working on in a 15 word sentence? If you’re not working on anything, how would YOU summarize Aphrodite in 15 words? What were your biggest takeaways from the novel?

Mythology Monday: Escape from Colchis

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Being here brings back memories, I wrote, returning to my journal, shifting positions in the uncomfortable plastic chair. Not that I was here, of course. But underneath the ocean-themed decor, it smells the same and that’s enough to take me back.

I remember lying in a bed like this for what felt like ever. I don’t think my stepdad knew what was going on. Every time he visited, his eyes would glitter with sympathy and he would say meaningless phrases like “Stay strong, kiddo.”

He was so convinced I was sick that I believed him. At first I thought I’d switched places with my step-brother. That I’d misunderstood what my parents had asked me to do. I was convinced they’d given me his cancer so he could be better and I could die. To be fair, I was, like, six. It made sense to me.

I remember being so angry. Screaming into my pillow and crying myself to sleep wondering what I’d done wrong. Why had they picked him over me? But then I’d try to be so good when Mom visited. Like if I was just sweet enough, loving enough, good enough, she’d switch us back.

I drew in a deep breath, antiseptic smell of the hospital stinging my nose. The incessant beeps coming from the machines attached to Elise made it hard to focus. My step-brother never visited. I think they told him I died. He sure was surprised to see me later, though that might have been the gun to his head.

Then I found out the truth. I thought I’d felt angry before. Betrayed. But that feeling didn’t even begin to touch the way I felt the day I realized they were farming me out for parts and selling me to the highest bidder.

“They wanted to call it ‘Hope.’”

That’s one of the last things my mother ever said to me. I wonder what would “they” have said if they’d known “Hope,” their miracle cure, their golden fleece, was a terrified girl that had to be strapped down to the bed, screaming and crying every time the doctor walked into the room, because she knew what his presence meant. That this time, blood wasn’t enough. “They” needed more.

~@~

When we last left off, Jason completed the trials of Colchis, grabbed Medea, and sailed away. But this wouldn’t be a Greek myth if the story ended there. See, first Medea had to go from betraying her father’s pride and helping Jason win to the completely unrelatable zone of killing her brother, cutting him to pieces, and dropping his body in the ocean to distract her father. Her father stopped to gather the dead bits of his son, allowing Jason and the Argonauts to escape.

Yeah.

To be fair, had the King intended to be fair and give Jason the fleece as promised for completing the tasks, Medea wouldn’t have had to resort to such measures. She knew for a fact Aetees intended to cheat Jason out of the reward, possibly through nefarious means because he told her as much. She considered suicide first, but ultimately, the promise of a life with Jason was, in her mind, worth her brother’s life.

One thing I haven’t dwelled on much in this myth is Medea’s magic. Sure, she helps Jason with some potions, but her magic is actually a lot cooler than just brewing herbs. Doors open for her. She can chat with the moon. Her mythical abilities vary by myth, but she’s not a god or a demigoddess. There’s not a lot of just random spell casters in Greek mythology, so Medea as a character is fascinating.

Anyway, Zeus was not thrilled by the gory murder of Medea’s brother, so he decided to make their return trip hell. He sent storm after storm, delaying their trip and endangering the crew. Depending on the myth, the storms either blew the Argo to Circe’s island, or the boat got so sick of the storms that it *asked* Jason to please take it to be cleansed by Circe.

Writing on Wednesday: May the Fourth Be With You!

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So today I have to write about Star Wars. I have to. But there’s a problem with that. I’ve already written at length about the hero cycle in previous posts. Star Wars didn’t invent the mono-myth but it used the crap out of it. But there’s another thing the Star Wars movies did really well. And that was the trilogy format.

Trilogies are everywhere, but did you know they follow a formula? For the most part. Here’s how it goes.

Book one can stand alone if it needs to. It begins the story, introduces the world, and contains a complete plot arc. There’s an ending and a resolution, and all seems to be happily ever after except for a few dangling threads that could be shaped into a new book or movie. An exception to this tends to be in YA where it’s almost a given that the book will be a trilogy, so the first book will resolve a story, but there’s more than threads left behind. There’s huge questions that demand huge answers. As more authors are contracted for the trilogy as a whole, you’ll see more of those Divergent style endings, where everything wraps up, then boom.

But back to a traditional structure.

By book/movie two, the writer is confident in the fact that there’s going to be a third. This means books three and four tend to be a lot more entangled in terms of plot lines and arcs. Book two has an arc, but it could never stand alone. It needs the first book and the third. Consequently, book two tends to end in a hopeless, dismal, terrible state of despair. It also tends to start there. And linger there in the middle. The second book is where everything that can possibly go wrong, does.

Book three continues that trend for about the first half the book, then swings in an upward trajectory that wraps everything up and completes the arc.

Star Wars did an interesting twist with the trilogy in Episodes 1-3. They wrote what I consider to be the anti-trilogy. The second movie doesn’t plunge you into darkness and sad stuff, it ends with a wedding. It’s the bright shining happy spot in the series (I realize fans may disagree, but plot wise, they tried very hard to saturate the second movie with happiness). The third movie in a typical arc would have been the second.

I wonder what the next trilogy will bring. My theory is it will follow the formula of 4-6, but at every plot point make a different choice that throw a lot more shades of gray into the story arc than we’ve previously seen with Star Wars.

What do you think is coming next?

 

Happy Arbor Day!

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The best time to plant a tree s twenty years ago. The second best time is now.

I promise I will not spend every Friday celebrating random holidays, but I really like trees! Take a picture of one you planted today and share it with me on instagram for a chance to win an audio copy of one of my books (your pick!).

And just for fun, enjoy this song from one of my daughter’s cartoons that’s been stuck in my head on a loop for the last forty-eight hours.

Writing on Wednesday: Resources

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There is so much out there for writers that it can be a little overwhelming. So I’m going to share my top ten writers’ resources (in no particular order), along with how I use them, to demystify all the offerings of this really extensive community we’ve created. For me, most of the tools center around being motivated to write. I love writing, but because it’s been a lifelong hobby, it’s become second nature for me to put it in the backseat to literally anything else happening in my life right then. Connecting with a larger writing community helps keep my thoughts aligned with the whole writing as a career thing.

  1. A writers’ group. I say this one a lot, but it’s by far the best tool in my writing resources arsenal. My writers’ group gives me a firm deadline, constructive feedback, and perspectives beyond my own. Not all writers’ groups are created equal, but it’s still better to join one than not. If it does nothing else, a writers’ group helps thicken your skin.
  2. Scrivener. There are a billion ways to use this software. For me, it’s an outlining tool. I add my scenes and scene titles to index cards and shuffle them around as needed. Others get way more use out of it. There’s a million youtube videos and tutorials out there for making the most out of this tool. It’s pretty awesome.
  3. Nanowrimo. Another tool to give you motivation and a firm deadline. Nanowrimo actually happens a couple times a year. Once in November for national novel writing month, and then twice for camp nanowrimo. The website will hook you up with local writers to broaden your writing community beyond the handful of people you see in writers’ groups every other weekend. There are word sprints and write ins and all kinds of fun. I wouldn’t expect what you have at the end of the month to be a novel, but you’ll at least have a solid draft. And for me since writing becomes exponentially easier once I have something to edit, those three times a year surges in motivation to just get the words down on the page are incredibly helpful.
  4. Writing Excuses or fill in any podcast on writing here. Beyond the helpful advice, just spending a few minutes of your day listening to actual people talk about writing is incredibly motivating. It’s like a light version of what I get out of going to writers’ group every other week. Writing is solitary. And while online communities are great, there’s something really important about being able to connect with other writers beyond looking at words on a screen that helps keep me in the zone.
  5. Conferences. Meeting amazing and successful writers, listening to them talk, actually talking to them one on one? It’s like the super-charged version of what I get out of writers’ group every other week. Like everything outside of writing, books, and writing related stuff just stops existing for those weekends. There’s networking and connections and important stuff like that, but for me the conferences are a great way to kind of charge me out of a writing slump. I only go to about one a year, but it’s unbelievably helpful.
  6. Books on writing. There are many. The most notable that it seems like everyone has or should read are as follows: On Writing; The First Five Pages; Thanks, But This Isn’t For Us; The Elements of Style; and Save the Cat. I read…maybe one new book on writing a quarter. And it has to be when I’m in revision mode, not drafting mode. Great resources, but when I overindulge they become useless because it’s too much information sliding around in my head.
  7. Fiction books similar in tone with what you’re writing. Note: what I’m not saying here is if you’re writing a book on…say mythology retellings, you go out and read every mythology retelling out there. That’s the surest way to lose what’s original about your take. Wait on reading the other versions of what you’re writing until you’re ready to query. You need to know what’s out there, but your book needs to be done. I wouldn’t even read Percy Jackson until Persephone was ready to query. But books similar in tone or style are really helpful no matter what genre they are. Be picky about what you read while you’re actively drafting, because it will get in your head. Keep it different enough that it can’t influence the actual events of the plot. But getting in the right mood, noticing how an author uses pacing to accomplish that? That’s always in your books best interest and it doesn’t compromise your integrity as a writer.
  8. Writing gear. This can be cutesy writing t-shirts, a new computer program, a new writing website, or anything that gets you excited. For me, it’s kind of like back to school shopping. Having lots of different colored pens and neat notebooks to start the year off with kept me organized and motivated for…at least a month before the novelty wears off. Sometimes you risk becoming enamored of the tool, but for the most part, the initial burst of productivity is more than enough to make up for it.
  9. Classes and workshops.I use these rarely, and they tend to have more to do with the teaching side of my career with the writing, but there are often some great gems in there for creative writing.
  10.  Time machine. Pages. And any program that saves past versions of your work every other minute. Worth its weight in gold. First, because it stops my work from getting lost. Second because I can’t tell you how many times I deleted or reworked a scene because I no longer needed it, then found a perfect place for whatever got cut later. Nowadays, I even keep a separate document for cut lines and scenes, but there’s still stuff I don’t think to save until I need it.

The key to me with this list is timing. I don’t do everything on this list all the time. Writers’ group is twice a month, nanowrimo quarterly, conference more like once a year, and workshops or classes maybe once every three if there’s an awesome opportunity.

The podcasts, time machine, and tone appropriate books are daily things that keep me motivated or are useful for writing. Books on writing tend to fall in one of the months between nanowrimo. Scrivener I pretty much only use when outlining whereas writing excuses and tone appropriate books are pretty much used daily. The new writing gear is just whenever I notice I’m hitting a slump in motivation. For me it all comes down to motivation. Because once I sit down and start writing, I’m fine. But getting me to stop and sit down is a trick sometimes, so I need an arsenal.

Mythology Monday: The trials for the Golden Fleece

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Jason’s so understanding sometimes, it’s ridiculous. He’s not even mad about the horrible things I thought about him. Sometimes I wonder if he charms me. I go back, and look over this journal, see how upset I was, how angry. But it goes away when I’m with him. All my reasons, all my paranoia, all my anger  feels like it gets coated, covered up by sappy, happy thoughts.

But I’m immune to charm. Jason made sure of it before he brought me on the island. Not everyone here can control their powers. But what if immunity doesn’t work the way we think it does? What happens if you want to be charmed? If you want to believe someone. Does that give them control? Or would it matter if they had powers or not at that point?

~@~

As the Argonauts approached the island of Colchis, they spotted Zeus’s eagle flying through the air. This eagle was so big that it disturbed the water and caused the ship to rock. The eagle was, incidentally, on its way to eat Prometheus’s liver. Yum.

Jason wanted to negotiate with the King rather than take the fleece by force, but the gods weren’t so sure that would work out for him, so Hera, Athena, and Aphrodite plot to have Eros (Cupid) shoot the king’s daughter with one of his magical arrows. The king’s daughter is Medea. Yes that one. More on Medea on another Monday, but that arrow is why I pity her more than abhor her. The woman had no choices in her life.

The King agreed to give Jason the fleece, but only if he performed three tasks; plowing a field with fire-breathing oxen that he had to yoke himself, sowing the teeth of dragons into a field, and overcoming the sleepless dragon that guarded the Golden Fleece. Jason felt pretty overwhelmed when he heard the list, but to be fair, the King didn’t ask him to do anything he hadn’t done on multiple occasions by the King himself.

Meanwhile, Medea struggled with a crisis of conscience. Do nothing or help Jason and betray her father. She actually considered suicide, but Cupid’s magic is too strong to allow death to be a way out.  When she saw Jason outside of Hecate’s temple, she basically jumps him. After a long night, she swore to help him through each of the trials and in return he swore marriage.

For task 1: Plowing the field with fire breathing bulls that he had to yoke himself, Medea provided an ointment that protected him from the heat of the flames.

Task two, sowing the field with dragon teeth, actually didn’t sound so bad until the teeth sprouted into an army of warriors that Riordan fans will recognize as the Spartoi.

The Spartoi were children of Ares. They were creepy as hell but very stupid. Medea told Jason about Cadmus, the founder of Thebes. Cadmus killed a dragon, and Athena told him to throw the teeth on the ground. When he did, the Spartoi sprang up, but Cadmus was terrified of them, so he threw a stone in their midst. The Spartoi, thinking the stone had been thrown by another warrior, started fighting one another. As per Medea’s advice, Jason tried the same trick and the Spartoi attacked and defeated one another.

For the final task, facing the sleepless dragon, Jason used a sleeping potion Medea gave him.

The tasks were completed, but the king refused to relinquish the golden fleece, so Jason took it, and Medea, and fled the island.